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Published by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCercle d'Art\u003c\/span\u003e\u003c\/span\u003e in Paris, this work (Plate 35) reflects Picasso’s mastery of line, rhythm, and mythological storytelling.\u003c\/p\u003e\n\u003cp data-start=\"476\" data-end=\"907\"\u003eThe composition is dense and dynamic, filled with intertwined figures that evoke the spirit of a bacchanal—an ancient celebration associated with revelry, sensuality, and the god Dionysus. Reclining and contorted bodies occupy the foreground, rendered in a fluid yet fragmented style. Their forms are simplified into sweeping curves and angular segments, creating a sense of movement and vitality despite the monochromatic palette.\u003c\/p\u003e\n\u003cp data-start=\"909\" data-end=\"1335\"\u003eAt the upper left, an owl—one of Picasso’s recurring symbolic motifs—perches calmly, observing the scene. The presence of the owl introduces a layer of ambiguity: traditionally associated with wisdom and night, it contrasts with the earthly pleasures and chaotic energy of the bacchanalian figures below. This juxtaposition between instinct and intellect, celebration and observation, is characteristic of Picasso’s late work.\u003c\/p\u003e\n\u003cp data-start=\"1337\" data-end=\"1728\"\u003eExecuted as a linocut, the piece emphasizes strong, incised lines and contrasts between black and white. Picasso was particularly innovative in this medium during the late 1950s, often pushing the technique beyond its conventional limits.\u003c\/p\u003e\n\u003cp data-start=\"1730\" data-end=\"2039\"\u003eRather than adhering to classical harmony, Picasso disrupts spatial logic. Figures overlap and merge into one another, and perspective is flattened. 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A vessel of grapes appears beside the figures, reinforcing the agricultural context while also alluding to wine, festivity, and perhaps even the bacchanalian traditions that Picasso frequently revisited in his later work.\u003c\/p\u003e\n\u003cp data-start=\"1205\" data-end=\"1610\"\u003eExecuted in linocut, the piece is defined by its strong contrasts and limited palette of earthy tones, rich browns, creams, and blacks. Picasso’s innovative approach to the medium is evident in the way he layers color and line, allowing carved grooves to create both structure and texture.\u003c\/p\u003e\n\u003cp data-start=\"1612\" data-end=\"1940\"\u003eThe figures themselves are imbued with a sculptural presence. Their exaggerated limbs and stylized faces recall both ancient Iberian art and modernist distortion, merging past and present into a single visual language. 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As Plate 33, it captures Picasso’s late-period fascination with ritual, movement, and symbolic imagery through the expressive language of linocut.\u003c\/p\u003e\n\u003cp data-start=\"467\" data-end=\"851\"\u003eThe composition is alive with motion. A group of dancing figures, rendered in simplified, almost primitive forms, occupies the foreground. Their bodies twist, leap, and contort in rhythmic unison, evoking a sense of ecstatic celebration. The figures appear both human and mythical, their exaggerated limbs and mask-like faces suggesting a connection to ancient rites or tribal dances.\u003c\/p\u003e\n\u003cp data-start=\"853\" data-end=\"1218\"\u003eHovering above or integrated within the scene is the owl—one of Picasso’s recurring and deeply personal symbols. Often associated with wisdom, night, and mystery, the owl here acts as both observer and participant. Its presence transforms the dance into something more than mere festivity; it becomes a nocturnal ritual, charged with symbolic meaning and ambiguity.\u003c\/p\u003e\n\u003cp data-start=\"1220\" data-end=\"1616\"\u003eThe visual language is strikingly direct. Picasso uses bold, carved lines and strong contrasts between dark and light to define the figures and their environment. The limited palette—dominated by deep blacks and muted pinkish tones—enhances the graphic intensity of the work. The rough, textured surface reveals the hand of the artist, emphasizing the physical act of carving inherent to linocut.\u003c\/p\u003e\n\u003cp data-start=\"1618\" data-end=\"1898\"\u003eSpatially, the scene is flattened and compressed. There is little distinction between foreground and background, allowing the figures to merge with their surroundings. This lack of depth intensifies the sense of immediacy, as if the viewer is drawn directly into the dance itself.\u003c\/p\u003e\n\u003cp data-start=\"1900\" data-end=\"2290\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"1900\" data-end=\"1923\"\u003eLes danseurs au hibou\u003c\/em\u003e reflects Picasso’s enduring engagement with themes of vitality, instinct, and the subconscious. In this late phase of his career, he revisits primal imagery with renewed freedom, using the simplicity of linocut to achieve a raw and powerful expressiveness. The result is a work that feels both ancient and modern—timeless in its evocation of human energy and ritual.\u003c\/p\u003e\n\u003cp\u003eLinocut\u003c\/p\u003e\n\u003cp\u003eAbstract - Dance - Animals\u003c\/p\u003e\n\u003cp\u003ePlate 33\u003c\/p\u003e\n\u003cp\u003eGood condition, a small chip in the margin\u003c\/p\u003e","brand":"Picasso Pablo","offers":[{"title":"32 x 38 \/ A","offer_id":53552881598791,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06135Insta2.jpg?v=1774860918"},{"product_id":"ap_06136","title":"Faunes et chèvre 1959","description":"\u003cp data-start=\"90\" data-end=\"418\"\u003eThis 1959 linogravure by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePablo Picasso\u003c\/span\u003e\u003c\/span\u003e, titled \u003cem data-start=\"161\" data-end=\"179\"\u003eFaunes et chèvre\u003c\/em\u003e (Fauns and Goat), is part of the celebrated series of prints published by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCercle d'Art\u003c\/span\u003e\u003c\/span\u003e in Paris. As Plate 31, it reflects Picasso’s playful and inventive engagement with mythological themes during his later years.\u003c\/p\u003e\n\u003cp data-start=\"420\" data-end=\"859\"\u003eThe scene unfolds in a simplified pastoral landscape, where rolling green hills, a calm body of water, and stylized clouds create a serene yet imaginative setting. Within this environment, a group of fauns—mythical half-human, half-animal creatures—engage in animated movement, accompanied by a goat. Their gestures suggest music, dance, and celebration, evoking the spirit of ancient rural festivities associated with nature and instinct.\u003c\/p\u003e\n\u003cp data-start=\"861\" data-end=\"1282\"\u003ePicasso’s treatment of the figures is deliberately naive and expressive. The bodies are reduced to fluid, almost childlike forms, with exaggerated limbs and minimal facial detail. This simplicity, however, is deceptive; it reveals a sophisticated understanding of line and composition. The figures are arranged in a rhythmic sequence across the foreground, guiding the viewer’s eye through the scene like a visual melody.\u003c\/p\u003e\n\u003cp data-start=\"1284\" data-end=\"1657\"\u003eColor plays a more prominent role here than in some of Picasso’s other linocuts from the same period. The contrast between the deep greens of the landscape, the bright blue sky, and the pale, warm tones of the figures creates a lively and harmonious palette. The bold outlines unify the composition, while the flat areas of color emphasize the graphic quality of the print.\u003c\/p\u003e\n\u003cp data-start=\"1659\" data-end=\"2002\"\u003eThe subject matter draws from classical mythology, yet Picasso interprets it with humor and freedom. The fauns, traditionally associated with music, mischief, and sensuality, are rendered here in a lighthearted and almost whimsical manner. The goat, a recurring symbol in Picasso’s work, reinforces themes of vitality, nature, and rustic life.\u003c\/p\u003e\n\u003cp data-start=\"2004\" data-end=\"2313\"\u003eTechnically, the linocut process allows Picasso to explore strong contrasts and simplified forms. By carving directly into the linoleum, he achieves a directness of expression that feels spontaneous and immediate. The visible hand of the artist—through the carved lines and shapes—adds to the work’s vitality.\u003c\/p\u003e\n\u003cp data-start=\"2315\" data-end=\"2547\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"2315\" data-end=\"2333\"\u003eFaunes et chèvre\u003c\/em\u003e exemplifies Picasso’s late style: a fusion of ancient inspiration and modern experimentation. It is a work that celebrates imagination, movement, and the enduring connection between humanity and the natural world.\u003c\/p\u003e\n\u003cp\u003eLinocut\u003c\/p\u003e\n\u003cp\u003eAbstract - Music - Animals\u003c\/p\u003e\n\u003cp\u003ePl. 31 - Editions Cercle d'Art Paris\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Picasso Pablo","offers":[{"title":"32 x 38 \/ A","offer_id":53552853877063,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06136Insta2.jpg?v=1774861397"},{"product_id":"ap_06137","title":"Femme regardant par la fenêtre 1959","description":"\u003cp data-start=\"104\" data-end=\"445\"\u003eThis 1959 linogravure by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePablo Picasso\u003c\/span\u003e\u003c\/span\u003e, titled \u003cem data-start=\"175\" data-end=\"207\"\u003eFemme regardant par la fenêtre\u003c\/em\u003e (Woman Looking Out the Window), is part of the important series of prints published by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCercle d'Art\u003c\/span\u003e\u003c\/span\u003e in Paris. As Plate 22, it reveals a more intimate and contemplative side of Picasso’s late printmaking practice.\u003c\/p\u003e\n\u003cp data-start=\"447\" data-end=\"848\"\u003eThe composition centers on a reclining female figure, her body rendered in sweeping, simplified contours. She is positioned diagonally across the scene, her torso turned toward an open window. The gesture of looking outward introduces a quiet narrative: a moment of pause, reflection, or longing. Unlike the more animated mythological scenes of the same series, this work is inward-looking and serene.\u003c\/p\u003e\n\u003cp data-start=\"850\" data-end=\"1243\"\u003ePicasso’s treatment of the figure is both sensual and stylized. The curves of the body are emphasized through bold, continuous lines, while details are reduced to essentials. The face, shown in profile, conveys a sense of calm detachment, reinforcing the contemplative mood. Drapery and interior elements—such as the chair and curtain—are suggested through rhythmic, almost calligraphic lines.\u003c\/p\u003e\n\u003cp data-start=\"1245\" data-end=\"1570\"\u003eThe color palette is restrained, dominated by warm browns, creams, and deep blacks. This limited range enhances the graphic clarity of the linocut technique while also creating a sense of warmth and intimacy. The contrast between light and dark areas shapes the volume of the figure and anchors her within the interior space.\u003c\/p\u003e\n\u003cp data-start=\"1572\" data-end=\"1895\"\u003eThe window itself plays a crucial symbolic role. It acts as both a literal and metaphorical opening—linking the private interior world of the figure with the outside environment. Picasso often explored such thresholds, using them to evoke themes of observation, isolation, and the passage between inner and outer realities.\u003c\/p\u003e\n\u003cp data-start=\"1897\" data-end=\"2260\"\u003eTechnically, the linocut process allows for a direct and expressive carving of form. The visible lines retain a tactile quality, emphasizing the artist’s hand and the immediacy of the medium. Picasso’s late innovations in linocut—particularly his use of layered color and bold linework—are evident in the balance between simplicity and depth achieved here.\u003c\/p\u003e\n\u003cp data-start=\"2262\" data-end=\"2479\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"2262\" data-end=\"2294\"\u003eFemme regardant par la fenêtre\u003c\/em\u003e stands as a quiet yet powerful work, demonstrating Picasso’s ability to transform a simple, everyday moment into a timeless meditation on presence, introspection, and the human figure.\u003c\/p\u003e\n\u003cp\u003eLinocut\u003c\/p\u003e\n\u003cp\u003eAbstract - Erotic\u003c\/p\u003e\n\u003cp\u003ePl. 22\u003c\/p\u003e\n\u003cp\u003eGood condition, one small stain\u003c\/p\u003e","brand":"Picasso Pablo","offers":[{"title":"32 x 38 \/ A","offer_id":53552881762631,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06137zoom.jpg?v=1774862362"},{"product_id":"ap_06138","title":"Bacchanale 1959","description":"\u003cp data-start=\"84\" data-end=\"461\"\u003eThis 1959 linogravure by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePablo Picasso\u003c\/span\u003e\u003c\/span\u003e, titled \u003cem data-start=\"155\" data-end=\"167\"\u003eBacchanale\u003c\/em\u003e, is part of the celebrated series of prints published by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCercle d'Art\u003c\/span\u003e\u003c\/span\u003e in Paris. Identified as Plate 24, the work offers a remarkably pared-down interpretation of a classical theme, demonstrating Picasso’s ability to achieve expressive depth through radical simplicity.\u003c\/p\u003e\n\u003cp data-start=\"463\" data-end=\"835\"\u003eThe composition unfolds across a tranquil, almost abstract landscape. A mountain rises gently in the background beneath stylized, floating clouds, while a group of loosely sketched figures occupies the foreground. These figures—reclining, dancing, and interacting—evoke the traditional bacchanalian gathering associated with festivity, music, and mythological celebration.\u003c\/p\u003e\n\u003cp data-start=\"837\" data-end=\"1216\"\u003eWhat distinguishes this work is its extreme economy of line. Picasso reduces forms to their bare essentials, using continuous, fluid contours to define bodies and space. The figures appear almost weightless, their identities suggested rather than fully described. This minimalist approach gives the scene a lyrical, dreamlike quality, as if it were a memory or a fleeting vision.\u003c\/p\u003e\n\u003cp data-start=\"1218\" data-end=\"1537\"\u003eDespite the simplicity, there is a strong sense of rhythm. The placement of figures across the composition creates a visual cadence, guiding the viewer’s eye from one gesture to another. The interplay between stillness and movement—reclining bodies contrasted with more animated poses—adds subtle dynamism to the scene.\u003c\/p\u003e\n\u003cp data-start=\"1539\" data-end=\"1888\"\u003eThe limited palette, dominated by soft grey tones and black linework, reinforces the graphic clarity of the linocut technique. Without the distraction of color, attention is focused entirely on line, form, and composition. The carved lines retain a spontaneous, almost calligraphic energy, emphasizing Picasso’s hand and the immediacy of the medium.\u003c\/p\u003e\n\u003cp data-start=\"1890\" data-end=\"2155\"\u003eThe bacchanal theme, rooted in ancient mythology, is here transformed into something intimate and modern. Rather than depicting exuberant excess, Picasso presents a quieter, more contemplative vision of communal gathering—one that balances sensuality with serenity.\u003c\/p\u003e\n\u003cp data-start=\"2157\" data-end=\"2355\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"2157\" data-end=\"2169\"\u003eBacchanale\u003c\/em\u003e (Plate 24) exemplifies Picasso’s late artistic language: a fusion of classical inspiration and modern abstraction, where the simplest means are used to evoke timeless human experiences.\u003c\/p\u003e\n\u003cp\u003eLinocut\u003c\/p\u003e\n\u003cp\u003eAbstract - Alcohol - Erotic\u003c\/p\u003e\n\u003cp\u003ePlate 24 -\u003cmeta charset=\"utf-8\"\u003eEditions Cercle d'Art à Paris\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Picasso Pablo","offers":[{"title":"32 x 38 \/ A","offer_id":53552853942599,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06138Insta2.jpg?v=1774863052"},{"product_id":"ap_06140","title":"Femme dans un fauteuil et guitariste 1959","description":"\u003cp\u003eLinocut\u003c\/p\u003e\n\u003cp\u003eAbstract - Erotic - Music\u003c\/p\u003e\n\u003cp\u003ePl. 14 - \u003cmeta charset=\"utf-8\"\u003eEditions Cercle d'Art à Paris\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Picasso Pablo","offers":[{"title":"32 x 38 \/ A","offer_id":53552854040903,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06140_0f0a79b2-c4b5-448b-92a8-0937d9a0f983.jpg?v=1774114443"},{"product_id":"ap_06141","title":"Deux femmes 1959","description":"\u003cp data-end=\"398\" data-start=\"85\"\u003eThis 1959 linogravure by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePablo Picasso\u003c\/span\u003e\u003c\/span\u003e, titled \u003cem data-end=\"169\" data-start=\"156\"\u003eDeux femmes\u003c\/em\u003e (Two Women), is part of the celebrated series published by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCercle d'Art\u003c\/span\u003e\u003c\/span\u003e in Paris. As Plate 12, it exemplifies Picasso’s late exploration of the human figure through the bold, graphic language of linocut.\u003c\/p\u003e\n\u003cp data-end=\"721\" data-start=\"400\"\u003eThe composition stages an intimate encounter between two female figures. One stands at the left, upright and frontal, while the other reclines on a richly patterned surface to the right. Their interaction—subtle yet charged—suggests a moment of exchange, perhaps conversational or symbolic, rather than overtly narrative.\u003c\/p\u003e\n\u003cp data-end=\"1108\" data-start=\"723\"\u003ePicasso contrasts the two figures both formally and emotionally. The standing woman is elongated and statuesque, her contours defined by strong, decisive lines. In contrast, the reclining figure is more expansive and fluid, her body curving into the decorative patterns beneath her. This interplay between verticality and horizontality creates a dynamic balance within the composition.\u003c\/p\u003e\n\u003cp data-end=\"1474\" data-start=\"1110\"\u003eThe linocut technique is particularly striking here. Picasso employs a limited palette of black and white, allowing line and contrast to carry the expressive weight of the image. \u003c\/p\u003e\n\u003cp data-end=\"1748\" data-start=\"1476\"\u003eThe setting is suggested through minimal architectural and decorative elements, yet it feels enclosed and intimate. The flattened perspective—typical of Picasso’s late work—compresses space, bringing the figures into close visual proximity and intensifying their presence.\u003c\/p\u003e\n\u003cp data-end=\"2095\" data-start=\"1750\"\u003eThere is also a dialogue between tradition and modernity. The reclining nude recalls classical representations of the female body, while Picasso’s stylization and distortion transform it into something distinctly modern. The standing figure, with her almost mask-like face and simplified anatomy, further reinforces this synthesis of influences.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2393\" data-start=\"2097\"\u003e\u003cem data-end=\"2110\" data-start=\"2097\"\u003eDeux femmes\u003c\/em\u003e reveals Picasso’s enduring fascination with the female form—not as a fixed ideal, but as a site of continuous reinvention. Through the economy of linocut, he distills complex relationships into bold, essential forms, creating a work that is at once timeless and unmistakably modern.\u003c\/p\u003e\n\u003cp\u003eLinocut\u003c\/p\u003e\n\u003cp\u003eAbstract - Erotic\u003c\/p\u003e\n\u003cp\u003ePl. 12\u003c\/p\u003e\n\u003cp\u003eGood condition, minor stains\u003c\/p\u003e","brand":"Picasso Pablo","offers":[{"title":"32 x 38 \/ A","offer_id":53552857055559,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06141Insta2.jpg?v=1774863618"},{"product_id":"ap_06142","title":"Femme couchée et homme à la guitare 1959","description":"\u003cp data-start=\"109\" data-end=\"514\"\u003eThis 1959 linogravure by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePablo Picasso\u003c\/span\u003e\u003c\/span\u003e, titled \u003cem data-start=\"180\" data-end=\"217\"\u003eFemme couchée et homme à la guitare\u003c\/em\u003e (Reclining Woman and Man with Guitar), is part of the renowned series published by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCercle d'Art\u003c\/span\u003e\u003c\/span\u003e in Paris. As Plate 13, it continues Picasso’s late exploration of the relationship between the human figure and music, rendered through the bold and tactile medium of linocut.\u003c\/p\u003e\n\u003cp data-start=\"516\" data-end=\"921\"\u003eThe composition is anchored by two intertwined presences: a reclining female figure, whose body unfolds in sweeping, rhythmic curves, and a seated male guitarist positioned beside her. The woman’s form dominates the space, her limbs and torso abstracted into layered, almost sculptural shapes. In contrast, the guitarist is more compact and upright, his posture suggesting concentration and introspection.\u003c\/p\u003e\n\u003cp data-start=\"923\" data-end=\"1237\"\u003eThe guitar itself is not depicted in a conventional manner; rather, it dissolves into a series of looping, decorative lines that seem to echo sound waves or musical vibrations. This transformation of the instrument into pattern reinforces the idea that music here is not simply represented—it is visually embodied.\u003c\/p\u003e\n\u003cp data-start=\"1239\" data-end=\"1569\"\u003ePicasso employs a limited yet rich palette of earthy browns, creams, and deep blacks. The contrast between these tones defines the figures and enhances the tactile quality of the linocut technique.\u003c\/p\u003e\n\u003cp data-start=\"1571\" data-end=\"1949\"\u003eThere is a palpable tension between stillness and movement. The reclining woman appears at rest, yet her form is animated by the dynamic curves that define her body. The guitarist, though physically still, introduces an invisible rhythm that seems to permeate the entire scene. Together, they create a visual harmony—an interplay between body and sound, presence and atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"1951\" data-end=\"2288\"\u003eThe setting remains minimal and abstract, allowing the interaction between the figures to take precedence. Picasso flattens space and simplifies detail, focusing instead on the essential relationships within the composition. This reduction is characteristic of his late work, where complexity is distilled into powerful, elemental forms.\u003c\/p\u003e\n\u003cp data-start=\"2290\" data-end=\"2615\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"2290\" data-end=\"2327\"\u003eFemme couchée et homme à la guitare\u003c\/em\u003e exemplifies Picasso’s ability to merge sensory experiences—here, the visual and the musical—into a unified artistic language. Through the immediacy of linocut, he captures a timeless moment of intimacy, where music becomes a bridge between figures and a catalyst for emotional resonance.\u003c\/p\u003e\n\u003cp\u003eLinocut\u003c\/p\u003e\n\u003cp\u003eAbstract - Erotic - Music\u003c\/p\u003e\n\u003cp\u003ePl. 13 - \u003cmeta charset=\"utf-8\"\u003eEditions Cercle d'Art à Paris\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Picasso Pablo","offers":[{"title":"32 x 38 \/ A","offer_id":53552854139207,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06142Insta2.jpg?v=1774863939"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/collections\/AP_04989_540x_7d5cc977-11d7-4e1c-a617-d33f2cbc4d67.jpg?v=1638058775","url":"https:\/\/galerie1881.fr\/en\/collections\/abstrait-original-vintage-posters-affiches-anciennes-originales\/guerre.oembed","provider":"Galerie 1881","version":"1.0","type":"link"}