{"title":"500€ - 1000€","description":"","products":[{"product_id":"ap_00181","title":"Train Exposition des Artistes 1935","description":"\u003cp data-start=\"153\" data-end=\"459\"\u003eThis 1935 original gouache poster project by French artist \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJanine Bodinel\u003c\/span\u003e\u003c\/span\u003e was created to promote the Train Exposition des Artistes, an exhibition presenting painting, decorative arts, and sculpture in the northern French city of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCambrai\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"461\" data-end=\"832\"\u003eThe exhibition, scheduled from October 15 to October 19, aimed to showcase a range of artistic disciplines, as indicated on the poster: \u003cem data-start=\"601\" data-end=\"641\"\u003ePeintures – Art Décoratif – Sculptures\u003c\/em\u003e. The event was part of a broader cultural movement in interwar France that sought to bring contemporary art to a wider public through traveling exhibitions and regional cultural initiatives.\u003c\/p\u003e\n\u003cp data-start=\"834\" data-end=\"1269\"\u003eThe poster’s design reflects the modernist graphic language of the 1930s, combining geometric forms with stylized imagery. At the center of the composition appears a monumental sculptural figure alongside simplified objects and architectural shapes. These elements are arranged within angular planes of color—green, red, and white—creating a layered composition that suggests both exhibition display and modern architectural space.\u003c\/p\u003e\n\u003cp data-start=\"1271\" data-end=\"1694\"\u003eExecuted in gouache, a medium widely used by poster designers of the time, the work reveals the process behind professional poster production. Artists typically created a painted model or maquette, which would later be adapted for lithographic printing. Such original projects are particularly valuable today because they preserve the artist’s hand and the visual experimentation that preceded the final printed poster.\u003c\/p\u003e\n\u003cp data-start=\"1696\" data-end=\"2027\"\u003eThe composition also reflects the influence of modern design movements of the period, including \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eArt Deco\u003c\/span\u003e\u003c\/span\u003e, characterized by bold geometry, stylized figures, and strong contrasts of color. These elements were widely used in exhibition and cultural posters to convey modernity and artistic innovation.\u003c\/p\u003e\n\u003cp data-start=\"2029\" data-end=\"2366\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eToday, original gouache poster projects like Train Exposition des Artistes (1935) are highly appreciated by collectors and historians of graphic design. They represent a rare glimpse into the creative process of early twentieth-century poster art and illustrate the vibrant cultural life of regional France during the interwar years.\u003c\/p\u003e\n\u003cp\u003eGouache poster project\u003c\/p\u003e\n\u003cp\u003eRailway - Painting - Art\u003c\/p\u003e\n\u003cp\u003eGood condition, pin holes, dirt\u003c\/p\u003e","brand":"Bodinel Janine","offers":[{"title":"63 x 48 \/ A-","offer_id":46494318821703,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00181Insta2.jpg?v=1773678298"},{"product_id":"ap_00254","title":"Visitez la Tunisie, Kairouan, PLM 1929","description":"\u003cp\u003eIllustrated document\u003c\/p\u003e\n\u003cp\u003eTunisia - Tourism - Railway\u003c\/p\u003e\n\u003cp\u003eGood condition, a restored tear\u003c\/p\u003e","brand":"De la Neziere J.","offers":[{"title":"31,5 x 22,5 \/ A  \/ On Linen","offer_id":46494303551815,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_00254.jpg?v=1680881067"},{"product_id":"ap_00295","title":"Café P.D.V \" La maison du café \" Une Révélation","description":"\u003cp\u003eThe circa 1930 original advertising poster for Café P.D.V \"La Maison du Café\" is a quintessential piece of early 20th-century commercial art, skillfully blending artistic design with marketing prowess to promote the popular coffee brand. This poster exemplifies the period's advertising techniques, characterized by vivid imagery and appealing visual narratives to captivate potential consumers.\u003c\/p\u003e\n\u003cp\u003eThe artwork prominently features an elegant scene that conveys the warmth and comfort associated with enjoying a fine cup of coffee. At the center, a well-dressed woman, poised and refined, holds a steaming cup of coffee. Her contented expression suggests the satisfaction and delight derived from Café P.D.V. The depiction of the woman in a stylish, contemporary setting underscores the brand's association with sophistication and quality.\u003c\/p\u003e\n\u003cp\u003eThe background of the poster is rich with inviting details. A cozy interior scene, possibly a café or a well-appointed home, serves as the backdrop. This setting is illuminated with soft, warm lighting that highlights the comforting and social aspects of coffee drinking. The name \"La Maison du Café\" suggests a place where coffee is not just a beverage but a cherished tradition, inviting viewers to make Café P.D.V a part of their daily lives.\u003c\/p\u003e\n\u003cp\u003eThe use of color in this poster is both strategic and aesthetically pleasing. Warm tones dominate the composition, with rich browns, golden yellows, and deep reds evoking the color palette of freshly brewed coffee and its accoutrements. These hues create an inviting atmosphere, making the viewer feel as though they can almost smell the aromatic coffee wafting from the cup.\u003c\/p\u003e\n\u003cp\u003eThe text on the poster is elegantly styled, with the brand name \"Café P.D.V\" prominently displayed. The tagline \"La Maison du Café\" reinforces the idea of tradition and quality, positioning the brand as a trusted and beloved choice among coffee aficionados. The font is sophisticated yet readable, contributing to the overall sense of refinement and luxury.\u003c\/p\u003e\n\u003cp\u003eDuring the 1930s, posters were a powerful medium for advertising, leveraging artistic talent to influence consumer behavior. This Café P.D.V poster is no exception, utilizing art to create an emotional connection with the viewer. The imagery suggests that choosing Café P.D.V means opting for a superior coffee experience, one that promises comfort, pleasure, and a touch of elegance in every cup.\u003c\/p\u003e\n\u003cp\u003eAdvertising - Coffee\u003c\/p\u003e\n\u003cp\u003eVery beautiful colors with silver enhancement.\u003c\/p\u003e\n\u003cp\u003eGaillard printing - Paris\/Amiens\u003c\/p\u003e\n\u003cp\u003eVery good condition\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"37 x 26 \/ A+  \/ On Linen","offer_id":46494318133575,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00295_607849c9-f2b6-49b6-a039-3cc47d5a13c3.jpg?v=1773156677"},{"product_id":"ap_00303","title":"Vitraux de la Cathedrale Metz 1962","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eFrance - Lorraine - France\u003c\/p\u003e\n\u003cp\u003ePrinted by Mourlot in Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, slight folds\u003c\/p\u003e","brand":"Villon Jacques","offers":[{"title":"100 x 62 \/ A","offer_id":54067561070919,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00303_7fb328c6-7228-4bdf-b5ee-086745d0cb82.jpg?v=1780496955"},{"product_id":"ap_00673","title":"50 Let Ceskoslevenska - Avec liberté pour la liberté 1968","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eTourism - Czechoslovakia\u003c\/p\u003e\n\u003cp\u003eGood condition, slight creases\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"80 x 58 \/ A","offer_id":54067560776007,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00673_50a97f2b-7c7e-47a8-8ca9-1a6faf01f2e4.jpg?v=1780498107"},{"product_id":"ap_00688","title":"Rifas -Tombolas Oriental Y Zoologica Circa 1900","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eGames - Zoo - Spain\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Chaix in Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, slight tears, small missing piece\u003c\/p\u003e","brand":"Cheret Jules","offers":[{"title":"64 x 50 \/ B+","offer_id":54067560743239,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00688_89e54905-fb4b-491b-be40-2c6ecefba9a0.jpg?v=1780498348"},{"product_id":"ap_00694","title":"Animation Recherche Confrontation 1970","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eExhibition - Abstract Art\u003c\/p\u003e\n\u003cp\u003eMuseum of Modern Art of the City of Paris\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Mazarine in Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, slight creases, small tears on the edges\u003c\/p\u003e","brand":"Fontana Lucio","offers":[{"title":"78 x 58 \/ B+","offer_id":54067560808775,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00694_5c94a59a-4a9b-4f7d-8169-95df8985d905.jpg?v=1780497887"},{"product_id":"ap_00707","title":"La retraite de Russie - Napoléon Circa 1900","description":"\u003cp class=\"isSelectedEnd\"\u003eThis evocative original lithograph by Adolphe Willette, created around 1900, depicts one of the most dramatic and tragic episodes in French history: Napoleon’s retreat from Russia in 1812. Rendered in Willette’s characteristically atmospheric style, the composition abandons the heroic imagery traditionally associated with the Napoleonic legend and instead focuses on the human suffering endured during one of the greatest military disasters of the nineteenth century.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe scene unfolds along the banks of a frozen river where exhausted soldiers struggle through icy waters under bleak winter skies. Wrapped in heavy cloaks and burdened with weapons and equipment, the men advance through snow and freezing currents while horses and scattered figures emerge from the misty background. The indistinct forms and subdued tonal range create a haunting atmosphere, emphasizing exhaustion, despair, and the overwhelming power of nature. Rather than glorifying battle, Willette presents the retreat as a profoundly human tragedy.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe retreat from Moscow remains one of the defining moments of the Napoleonic Wars. Following the occupation of the Russian capital in September 1812, Napoleon’s Grande Armée was forced to withdraw as winter approached and supply lines collapsed. Harassed by Russian forces, weakened by hunger, disease, and extreme cold, the army suffered catastrophic losses during its long march westward. Of the hundreds of thousands of soldiers who entered Russia, only a fraction returned. The campaign profoundly altered the balance of power in Europe and marked the beginning of Napoleon’s downfall.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eAdolphe Willette (1857–1926) occupies a unique place in French art at the turn of the twentieth century. Best known for his illustrations, posters, and contributions to the artistic life of Montmartre, Willette was a gifted draughtsman capable of combining humor, poetry, and historical reflection. Although often associated with cabaret culture and the world of the Moulin Rouge, he also produced works inspired by French history, literature, and national memory.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eIn this lithograph, Willette demonstrates remarkable sensitivity to atmosphere and emotion. The soft treatment of light, the blurred contours of the figures, and the monochromatic palette evoke the harsh conditions faced by Napoleon’s soldiers while creating a composition that is both historically evocative and artistically refined. The image recalls the tradition of nineteenth-century historical illustration while anticipating the more expressive graphic styles of the twentieth century.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eAround 1900, interest in the Napoleonic era remained extraordinarily strong in France. Artists, writers, and historians continued to revisit episodes from the Emperor’s life, reflecting both admiration for his military genius and fascination with the dramatic rise and fall of his empire. Works depicting the Russian campaign held particular significance, as they symbolized both heroic endurance and the limits of imperial ambition.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eOriginal lithographs by Adolphe Willette are increasingly appreciated by collectors for their artistic quality, historical subject matter, and connection to the vibrant cultural world of Belle Époque France. This composition stands apart through its contemplative treatment of a major historical event, offering a poignant reflection on sacrifice, suffering, and the human cost of war.\u003c\/p\u003e\n\u003cp\u003eToday, \u003cem\u003eLa Retraite de Russie – Napoléon\u003c\/em\u003e remains a powerful and moving image, capturing the tragic reality behind one of history’s most famous military campaigns. Through its atmospheric execution and emotional depth, the work transforms a historic episode into a timeless meditation on endurance and loss.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eWar - Empire - Military - France\u003c\/p\u003e\n\u003cp\u003eGood condition, minor tears\u003c\/p\u003e","brand":"Willette Adolphe","offers":[{"title":"60 x 81 \/ A-  \/ On Linen","offer_id":54067560907079,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00707Insta2.jpg?v=1780505212"},{"product_id":"ap_00708","title":"Ligne de l'océan indien Messageries Maritimes Circa 1950","description":"\u003cp class=\"isSelectedEnd\"\u003eThis striking illustrated document, created circa 1950 by the artist Desruol for the renowned French shipping company Messageries Maritimes, presents the maritime routes of the Indian Ocean Line linking East Africa, Madagascar, the Comoros, Réunion, Mauritius, and the wider French colonial network. Combining cartography, graphic design, and modern illustration, the work is both a practical route map and a remarkable example of mid-century travel advertising.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eDominated by a vivid red-orange background, the composition transforms geography into an elegant visual experience. Stylized route lines connect ports such as Mombasa, Dar-es-Salaam, Diego-Suarez, Majunga, Nossi-Bé, Saint-Denis, and Port-Louis, while decorative ships illustrate the vessels serving the line. The map is enriched by highly graphic representations of African and Malagasy-inspired masks, animals, and symbolic motifs that evoke the cultures and landscapes of the Indian Ocean region.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eFounded in 1851, Messageries Maritimes was one of France’s most important maritime companies, operating passenger and cargo services across Europe, Africa, Asia, and Oceania. By the mid-twentieth century, the company played a central role in maintaining commercial, administrative, and cultural links between metropolitan France and its overseas territories. Documents such as this were produced to promote routes, inform passengers, and reinforce the prestige of French maritime transportation.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThe artist Desruol adopted a distinctly modern visual language characteristic of post-war graphic design. Rather than relying on realistic representation, he used simplified forms, bold colors, and stylized imagery influenced by contemporary illustration and decorative arts. The result is a composition that is both informative and visually dynamic, transforming a shipping route map into a work of graphic art.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eParticularly noteworthy is the integration of cartographic information with decorative elements. Madagascar occupies the center of the composition, surrounded by a network of maritime connections that emphasize the strategic importance of the island within the Indian Ocean. The elegant route lines guide the viewer’s eye across the map, while the stylized masks and fauna create a powerful sense of place and exoticism, reflecting the visual conventions of travel promotion during the period.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eWorks produced by Messageries Maritimes during the twentieth century are increasingly appreciated by collectors for their historical significance and artistic quality. They document a period when ocean liners remained essential for long-distance travel and when maritime companies commissioned talented illustrators to create compelling promotional materials. These documents provide a fascinating record of international transportation networks before the widespread democratization of air travel.\u003c\/p\u003e\n\u003cp\u003eToday, \u003cem\u003eLigne de l’Océan Indien\u003c\/em\u003e stands as both a historical document and a decorative masterpiece. It captures the optimism of post-war travel, the importance of maritime connections across the Indian Ocean, and the enduring appeal of mid-century graphic design. Rich in color, symbolism, and geographical interest, it remains a highly desirable piece for collectors of travel memorabilia, maritime history, and vintage French advertising.\u003c\/p\u003e\n\u003cp\u003eIllustrated Document\u003c\/p\u003e\n\u003cp\u003eShipping Company - Tourism - Map\u003c\/p\u003e\n\u003cp\u003eMadagascar, Réunion, Mauritius, Comoros\u003c\/p\u003e\n\u003cp\u003eGood condition, creases visible\u003c\/p\u003e","brand":"Desruol","offers":[{"title":"56 x 76 \/ A-  \/ On Linen","offer_id":54067561005383,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00708Insta2.jpg?v=1780506600"},{"product_id":"ap_00717","title":"Art in Science 1965","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eExhibition - Abstract - Chemistry - United States\u003c\/p\u003e\n\u003cp\u003eAlbany Institute of History and Art\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Dine Jim","offers":[{"title":"98 x 63 \/ A","offer_id":54067561693511,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00717_ebd4bc36-faad-4dd5-8602-878b9cd20135.jpg?v=1780496269"},{"product_id":"ap_00974","title":"In Hakusen Skirmish Cavalry Circa 1900","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eWar - Military - Russia - Japan - Horses\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Kashima Osaka in Japan\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"45 x 62 \/ A  \/ On Linen","offer_id":54067560350023,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_00974_24b19894-1774-4e6e-b572-4f031f2198e5.jpg?v=1780499234"},{"product_id":"ap_01079","title":"Un serpent abstrait 1989","description":"\u003cp\u003eOriginal lithography\u003c\/p\u003e\n\u003cp\u003eAnimals - Cubism - Japan\u003c\/p\u003e\n\u003cp\u003eVery good state\u003c\/p\u003e","brand":"Satomi","offers":[{"title":"65 x 48 \/ A+","offer_id":42770486362297,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_01079_fc93065b-596d-40f2-a397-e5f8c27be09d.jpg?v=1661967608"},{"product_id":"ap_01085","title":"Joyeuses vacances Danemark Circa 1960","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eTourism - Scandinavia - Viking - Denmark - Boat\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by J. 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The piece offered here is a limited edition print, numbered 212 out of 225, capturing the vivid energy and emotional depth of Van Gogh’s post-Impressionist genius.\u003c\/p\u003e\n\u003cp data-start=\"609\" data-end=\"1003\"\u003eJulien “Père” Tanguy—a humble paint-grinder, art dealer, and friend to many struggling artists in Montmartre—became one of Van Gogh’s most beloved subjects. This portrait transcends traditional representation, embedding Japanese ukiyo-e prints in the background—reflecting Van Gogh’s profound admiration for Japanese art and its influence on his use of line, color, and composition.\u003c\/p\u003e\n\u003cp data-start=\"1005\" data-end=\"1304\"\u003eThe sitter’s calm presence, clasped hands, and weathered face contrast with the vibrant palette and exotic patterns surrounding him. The brushwork, rich texture, and composition embody Van Gogh’s artistic intensity during his Paris period, where he met Gauguin, Toulouse-Lautrec, and Seurat.\u003c\/p\u003e\n\u003cp data-start=\"1306\" data-end=\"1553\"\u003eThis edition, printed circa 1960, is a fine-quality lithographic tribute to Van Gogh’s masterwork, produced with careful attention to color balance and painterly fidelity. The limited edition number (212\/225) adds rarity and collectible value.\u003c\/p\u003e\n\u003cp data-start=\"1555\" data-end=\"1828\"\u003eWhether you're drawn by the story of Père Tanguy, Van Gogh’s transformative vision, or the powerful fusion of European and Japanese aesthetics, this lithograph is a remarkable addition for collectors of modern art, Van Gogh memorabilia, or post-Impressionist works.\u003c\/p\u003e\n\u003cp\u003eRealism - Asia\u003c\/p\u003e\n\u003cp\u003eNumbered 212\/225\u003c\/p\u003e\n\u003cp\u003eGood condition, pinholes\u003c\/p\u003e","brand":"Van Gogh Vincent","offers":[{"title":"81 x 56 \/ A-","offer_id":52631946199367,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_02623Insta2.jpg?v=1762795595"},{"product_id":"ap_04425","title":"Homme abstrait 1961","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eExhibition - Dada - Surrealism\u003c\/p\u003e\n\u003cp\u003eMuseum of Decorative Arts - Palais du Louvre\u003c\/p\u003e\n\u003cp\u003eGood condition, folds, small tears\u003c\/p\u003e","brand":"Dubuffet Jean","offers":[{"title":"72 x 50 \/ A-","offer_id":46494302830919,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_04425.jpg?v=1680881036"},{"product_id":"ap_04677","title":"Objets d'art documents historiques Circa 1940","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eExhibition - Abstract\u003c\/p\u003e\n\u003cp\u003eNational Museum of Natural History - Jardin des Plantes - Galerie de Botanique\u003c\/p\u003e\n\u003cp\u003eGood condition, folds, dirt, traces of labels\u003c\/p\u003e","brand":"Dufy Raoul","offers":[{"title":"65 x 45 \/ B","offer_id":46494317936967,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_04677_ea857714-46cb-43f8-8183-6bb7aba09720.jpg?v=1680881104"},{"product_id":"ap_04804","title":"Oeuvre gravé Bibliothèque Nationale 1970","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eExhibition - Expressionism\u003c\/p\u003e\n\u003cp\u003eNational Library - Mourlot\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Chagall Marc","offers":[{"title":"59 x 48 \/ A","offer_id":46494321606983,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_04804_dbff552d-9e36-45b0-9b0a-cde3cce9ba38.jpg?v=1680881212"},{"product_id":"ap_04805","title":"Pour les 70ans de Maiakovski 1962","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eExhibition - Expressionism - Poetry\u003c\/p\u003e\n\u003cp\u003eNational Theater of the Palais de Chaillot\u003c\/p\u003e\n\u003cp\u003eMourlot\u003c\/p\u003e\n\u003cp\u003eVery good state\u003c\/p\u003e","brand":"Chagall Marc","offers":[{"title":"68 x 50 \/ A+","offer_id":46494302765383,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/products\/AP_04805.jpg?v=1680881033"},{"product_id":"ap_04807","title":"Le crime national Circa 1908","description":"\u003cp data-start=\"188\" data-end=\"583\"\u003eThis striking and provocative 1908 poster, titled \u003cem data-start=\"242\" data-end=\"261\"\u003eLe Crime National\u003c\/em\u003e, is a dramatic response to one of the most contentious political upheavals in French history: the Separation of Church and State. Printed in bold black ink on a vivid red-orange background, the poster was a call to arms, appealing directly to French voters who were alarmed by the government's secular policies.\u003c\/p\u003e\n\u003cp data-start=\"655\" data-end=\"1029\"\u003eAt the heart of the controversy was the 1905 French law that officially ended the state’s recognition of any religion, marking a definitive break between the Catholic Church and the Republic. This legislation, seen by many as a triumph of secularism and democracy, was regarded by its opponents as an assault on the religious traditions and identity of France.\u003c\/p\u003e\n\u003cp data-start=\"1031\" data-end=\"1324\"\u003eThe poster fiercely condemns the senators who voted for the law, accusing them of committing a grave offense against God and the nation. It paints the law not as a progressive reform but as a “national crime”, an act of betrayal against the faithful and their spiritual heritage.\u003c\/p\u003e\n\u003cp data-start=\"1358\" data-end=\"1779\"\u003eThe visual elements of \u003cem data-start=\"1381\" data-end=\"1400\"\u003eLe Crime National\u003c\/em\u003e are unmistakably powerful. At the top, a radiant Christ figure, depicted in the style of religious iconography, raises his hand in a gesture of blessing and warning. Below him, a broken cross and a crumbling inscription reading “Et super hanc petram ædificabo Ecclesiam meam” (“Upon this rock, I will build my Church”) symbolize the destruction of religious authority.\u003c\/p\u003e\n\u003cp data-start=\"1781\" data-end=\"2127\"\u003eBeneath Christ, grotesque and skeletal figures—possibly representing secular politicians or anti-clerical forces—are shown gnawing at the remnants of the Church, an apocalyptic vision of moral and spiritual decay. The poster’s intent is clear: to depict the secular government as a force of destruction, irreverence, and corruption.\u003c\/p\u003e\n\u003cp data-start=\"2174\" data-end=\"2612\"\u003eBeyond its shocking imagery, the poster serves as a political manifesto, directly addressing \u003cem data-start=\"2271\" data-end=\"2291\"\u003eÉlecteurs Français\u003c\/em\u003e (“French voters”) in bold text. It denounces the 179 senators who voted for the separation, urging citizens to hold them accountable and reject the forces of secularism. The text presents the law as a betrayal of the nation's Christian values, likening it to historical persecutions against the Church.\u003c\/p\u003e\n\u003cp data-start=\"2614\" data-end=\"2887\"\u003eThis impassioned appeal reflects the broader conservative Catholic resistance to the Third Republic’s secular policies. The poster emphasizes that Christ will triumph over the forces of secularism, reinforcing the idea that divine justice will ultimately prevail.\u003c\/p\u003e\n\u003cp data-start=\"2950\" data-end=\"3242\"\u003e\u003cem data-start=\"2950\" data-end=\"2969\"\u003eLe Crime National\u003c\/em\u003e is not just a historical artifact; it is a testament to the fierce ideological battles of early 20th-century France. While secularists celebrated the freedom from religious influence, Catholic conservatives saw it as an attack on their faith and way of life.\u003c\/p\u003e\n\u003cp data-start=\"3244\" data-end=\"3550\"\u003eToday, this poster remains a powerful example of religious-political propaganda, reflecting the deeply entrenched divisions in French society at the time. It serves as a reminder of how art, media, and rhetoric have long been used to mobilize public opinion and shape political discourse.\u003c\/p\u003e\n\u003cp\u003ePolitics - Religion - Propaganda - France\u003c\/p\u003e\n\u003cp\u003eChrist will always conquer!!!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Chambon in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"78 x 57 \/ A  \/ On Linen","offer_id":51053818249543,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04807Insta2.jpg?v=1742291863"},{"product_id":"ap_04809","title":"Les sans-patrie... Voila l'ennemi ! Circa 1908","description":"\u003cp data-start=\"217\" data-end=\"705\"\u003eThis early 20th-century propaganda poster, titled \u003cem data-start=\"271\" data-end=\"305\"\u003eLes Sans-Patrie… Voilà l’Ennemi!\u003c\/em\u003e (\u003cem data-start=\"307\" data-end=\"342\"\u003eThe Stateless… Here is the Enemy!\u003c\/em\u003e), is a striking testament to the heated nationalist and anti-republican sentiments that surged in France in the years leading up to World War I. Created by E. Millo and published by \u003cem data-start=\"533\" data-end=\"552\"\u003eLe Petit Patriote\u003c\/em\u003e, the poster presents an impassioned defense of French patriotism while identifying internal enemies—those deemed to lack allegiance to the nation.\u003c\/p\u003e\n\u003cp data-start=\"754\" data-end=\"1131\"\u003eAt the time of its creation, France was deeply divided between nationalists and republicans, between those who saw France as a Catholic, traditionalist nation and those who pushed for a secular, progressive Republic. The Dreyfus Affair (1894–1906) had left the country bitterly fractured, with intense debates over loyalty, national identity, and military values.\u003c\/p\u003e\n\u003cp data-start=\"1133\" data-end=\"1467\"\u003eThis poster embodies the sentiments of right-wing conservatives who viewed the Republic’s secularism, its tolerance of political opposition, and its social reforms as signs of national decay. The target of their ire was the so-called \u003cem data-start=\"1379\" data-end=\"1392\"\u003eSans-Patrie\u003c\/em\u003e—those accused of betraying France by undermining its traditional values.\u003c\/p\u003e\n\u003cp data-start=\"1501\" data-end=\"1877\"\u003eThe poster’s dramatic black-and-white illustration is designed to evoke strong patriotic emotions. At its center stands a personification of France, likely inspired by Marianne, the symbolic female figure representing the French Republic. She holds a French flag and a sword, embodying strength and resistance against the perceived enemies of the nation.\u003c\/p\u003e\n\u003cp data-start=\"1879\" data-end=\"2090\"\u003eSurrounding her are figures from different walks of life—workers, mothers, soldiers, and historical figures—suggesting that \u003cem data-start=\"2007\" data-end=\"2029\"\u003etrue French citizens\u003c\/em\u003e stand together against those who would weaken the country.\u003c\/p\u003e\n\u003cp data-start=\"2092\" data-end=\"2317\"\u003eThe bold headline, \u003cem data-start=\"2115\" data-end=\"2151\"\u003e“Les Sans-Patrie… Voilà l’Ennemi!”\u003c\/em\u003e, leaves no room for ambiguity. It directly accuses those who lack national loyalty as traitors, rallying \"true\" French citizens to defend the homeland.\u003c\/p\u003e\n\u003cp data-start=\"2358\" data-end=\"2699\"\u003eThe text addresses “Aux Vrais Français” (\u003cem data-start=\"2403\" data-end=\"2426\"\u003eTo True French People\u003c\/em\u003e), making a direct appeal to patriotic sentiment. It warns readers about anti-national forces, particularly socialists, internationalists, and secularists, who are accused of corrupting French youth, undermining the military, and weakening national unity.\u003c\/p\u003e\n\u003cp data-start=\"2701\" data-end=\"2744\"\u003eAmong its claims, the poster states that:\u003c\/p\u003e\n\u003cul data-start=\"2745\" data-end=\"3078\"\u003e\n\u003cli data-start=\"2745\" data-end=\"2831\"\u003eFrench schools are being used to indoctrinate children against patriotism.\u003c\/li\u003e\n\u003cli data-start=\"2832\" data-end=\"2945\"\u003eMilitary service, a key element of national strength, is under attack by those who wish to weaken France.\u003c\/li\u003e\n\u003cli data-start=\"2946\" data-end=\"3078\"\u003eThe nation’s historical heroes and martyrs are being forgotten, replaced by values that do not serve the country’s survival.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3080\" data-end=\"3293\"\u003eThe final rallying cry at the bottom, \u003cem data-start=\"3122\" data-end=\"3166\"\u003e“À bas les sans-patrie \u0026amp; Vive la France !”\u003c\/em\u003e (\u003cem data-start=\"3168\" data-end=\"3213\"\u003eDown with the Stateless \u0026amp; Long Live France!\u003c\/em\u003e), reinforces the us-vs-them mentality that fueled nationalist propaganda.\u003c\/p\u003e\n\u003cp data-start=\"3349\" data-end=\"3677\"\u003e\u003cem data-start=\"3349\" data-end=\"3383\"\u003eLes Sans-Patrie… Voilà l’Ennemi!\u003c\/em\u003e encapsulates the intense nationalist fervor that was brewing in France on the eve of World War I. Just a few years later, this ideology would feed into the mobilization of millions of French soldiers, convinced that they were defending their homeland against existential threats.\u003c\/p\u003e\n\u003cp data-start=\"3679\" data-end=\"4014\"\u003eToday, this poster serves as a historical artifact of nationalist propaganda, a reflection of the fears, divisions, and political tensions that shaped early 20th-century France. It highlights how visual media was used to stir patriotic emotions, influence public opinion, and define the \"enemy\"—both foreign and domestic.\u003c\/p\u003e\n\u003cp\u003ePolitics - Propaganda - Press - France\u003c\/p\u003e\n\u003cp\u003eTo the real French!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by The little Patriot in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Millo E.","offers":[{"title":"80 x 58 \/ A  \/ On Linen","offer_id":51053818380615,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04809Insta2.jpg?v=1742293388"},{"product_id":"ap_04810","title":"LaÏcisateurs et comédiens Circa 1908","description":"\u003cp data-start=\"215\" data-end=\"564\"\u003eThe early 20th century was a period of intense ideological struggle in France, particularly between Catholics and secularists. The 1905 Law on the Separation of Church and State had firmly established laïcité (secularism) as the guiding principle of the Republic, but it also triggered fierce backlash from religious conservatives.\u003c\/p\u003e\n\u003cp data-start=\"566\" data-end=\"833\"\u003eThe poster \"Laïcisateurs et Comédiens\" (Secularists and Comedians), attributed to E. Millo, is a powerful example of anti-secular propaganda that denounces what its authors saw as the hypocrisy and oppression of the French government’s secular policies.\u003c\/p\u003e\n\u003cp data-start=\"888\" data-end=\"1281\"\u003eBy 1908, France was still grappling with the fallout from the 1905 Separation Law, which had stripped the Catholic Church of many privileges, nationalized church property, and forced religious congregations to disband or register under strict regulations. These measures were seen by Catholic conservatives as an attack on faith and a betrayal of France’s Christian heritage.\u003c\/p\u003e\n\u003cp data-start=\"1283\" data-end=\"1501\"\u003eThis poster echoes the deep resentment among religious groups, particularly regarding the expulsion of nuns from hospitals and schools, which had previously been key centers of Catholic charity and education.\u003c\/p\u003e\n\u003cp data-start=\"1547\" data-end=\"1817\"\u003eThe bold headline, \u003cem data-start=\"1570\" data-end=\"1597\"\u003eLaïcisateurs et Comédiens\u003c\/em\u003e, immediately sets a mocking tone, likening secular politicians to actors performing a deceptive play—an accusation that the Republic’s commitment to secularism was nothing more than a theatrical fraud.\u003c\/p\u003e\n\u003cp data-start=\"1819\" data-end=\"2152\"\u003eThe phrase \u003cem data-start=\"1830\" data-end=\"1849\"\u003e\"Tous les mêmes!\"\u003c\/em\u003e (\u003cem data-start=\"1851\" data-end=\"1866\"\u003eAll the same!\u003c\/em\u003e) reinforces the idea of collusion between the Republic’s secular leaders, Freemasons, Protestants, and Jews, all portrayed as enemies of the Catholic faith. This kind of rhetoric was typical of the far-right, anti-Semitic, and Catholic conservative movements of the time.\u003c\/p\u003e\n\u003ch3 data-start=\"2154\" data-end=\"2190\"\u003eKey Themes and Accusations\u003c\/h3\u003e\n\u003cp data-start=\"2191\" data-end=\"2307\"\u003eThe poster’s text is a mix of satire, outrage, and lamentation, accusing secular authorities of hypocrisy:\u003c\/p\u003e\n\u003cul data-start=\"2308\" data-end=\"2653\"\u003e\n\u003cli data-start=\"2308\" data-end=\"2411\"\u003eThey banished nuns from hospitals and schools but still sought their care in times of need.\u003c\/li\u003e\n\u003cli data-start=\"2412\" data-end=\"2518\"\u003eThey claimed to defend the people but persecuted religious institutions that provided charity.\u003c\/li\u003e\n\u003cli data-start=\"2519\" data-end=\"2653\"\u003eThey denied faith a role in public life but couldn’t escape their dependence on religious institutions in times of crisis.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2655\" data-end=\"2843\"\u003eA small illustration depicts a nun attending to a sick patient, emphasizing the argument that religious orders were still essential for social welfare despite being outlawed.\u003c\/p\u003e\n\u003cp data-start=\"2916\" data-end=\"3104\"\u003eThe poster ends with an urgent appeal for citizens to recognize the secularist \"comedy\" for what it is—a political charade meant to oppress the faithful. The demand is clear:\u003c\/p\u003e\n\u003cul data-start=\"3105\" data-end=\"3287\"\u003e\n\u003cli data-start=\"3105\" data-end=\"3153\"\u003eStop persecuting religious institutions.\u003c\/li\u003e\n\u003cli data-start=\"3154\" data-end=\"3202\"\u003eRecognize the value of faith in society.\u003c\/li\u003e\n\u003cli data-start=\"3203\" data-end=\"3287\"\u003eAllow Catholics to freely practice their beliefs without state interference.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3289\" data-end=\"3512\"\u003eThe final rallying cry, \u003cem data-start=\"3317\" data-end=\"3337\"\u003e\"Avec la Liberté!\"\u003c\/em\u003e (\u003cem data-start=\"3339\" data-end=\"3354\"\u003eWith Liberty!\u003c\/em\u003e), cleverly reclaims the language of the Republic, arguing that true freedom should include religious expression, not just state-imposed secularism.\u003c\/p\u003e\n\u003cp data-start=\"3549\" data-end=\"3815\"\u003eThis poster is a remarkable artifact of anti-secular resistance in early 20th-century France. It captures the anger, frustration, and defiance of Catholic conservatives who saw the Republic’s secular policies as an attack on their faith and traditions.\u003c\/p\u003e\n\u003cp data-start=\"3817\" data-end=\"4027\"\u003eThough France’s secularist policies ultimately prevailed, the fierce debates of the early 1900s left a lasting impact on French identity, politics, and the relationship between religion and the state.\u003c\/p\u003e\n\u003cp\u003eReligion - Politics - Press - France\u003c\/p\u003e\n\u003cp\u003eThis nameless regime which governs us in the name of Jews, Protestants and Freemasons is as funny as it is odious...\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Little Patriot in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Millo E.","offers":[{"title":"77 x 58 \/ A  \/ On Linen","offer_id":51053818609991,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04810Insta2.jpg?v=1742293828"},{"product_id":"ap_04811","title":"Les punaises maçoniques Circa 1908","description":"\u003cp data-start=\"187\" data-end=\"578\"\u003eThis rare circa 1908 French satirical poster titled \u003cem data-start=\"243\" data-end=\"271\"\u003e\"Les Punaises Maçonniques\"\u003c\/em\u003e (translated as \u003cem data-start=\"287\" data-end=\"310\"\u003e\"The Masonic Bedbugs\"\u003c\/em\u003e) is a striking example of anti-Masonic propaganda from the early 20th century. Designed by T.D., the poster uses caricature and bold typography to portray Freemasonry as a parasitic force, visually depicting Freemasons as grotesque bedbugs with human heads.\u003c\/p\u003e\n\u003cp data-start=\"580\" data-end=\"1005\"\u003ePrinted on blue paper with large, bold black lettering, the composition blends political satire and conspiracy rhetoric, common themes in France’s heated debates over Freemasonry and Republicanism. The illustration at the top ridicules high-ranking military and political figures, depicting them as insect-like creatures marching in unison—a clear metaphor for corruption, secrecy, and manipulation.\u003c\/p\u003e\n\u003cp data-start=\"1007\" data-end=\"1571\"\u003eThe text below serves as an accusation against Freemasons, claiming they have infiltrated French institutions and betrayed the nation. The \"Des Preuves\" (Evidence) section lists historical examples, blaming Freemasonry for influencing the reigns of Napoleon I, Louis XVIII, Charles X, Louis-Philippe, and Napoleon III, suggesting that each ruler was either controlled by or fell victim to the Masonic network. The call to action at the bottom warns against \"traitors, deceivers, and manipulators\", urging the public to resist their influence.\u003c\/p\u003e\n\u003cp data-start=\"1573\" data-end=\"1880\"\u003eThis poster reflects the deep mistrust of Freemasonry that existed in certain nationalist and conservative circles in France at the time. It is part of a broader tradition of anti-Masonic and anti-Republican publications, which accused secret societies of undermining traditional power structures.\u003c\/p\u003e\n\u003cp data-start=\"1882\" data-end=\"2266\"\u003eToday, \u003cem data-start=\"1889\" data-end=\"1917\"\u003e\"Les Punaises Maçonniques\"\u003c\/em\u003e is a historical artifact of political propaganda, providing insight into the anti-Masonic sentiment and conspiracy theories that shaped early 20th-century French political discourse. Its bold imagery, exaggerated claims, and inflammatory rhetoric make it a powerful example of the era’s political caricature and visual persuasion.\u003c\/p\u003e\n\u003cp\u003ePolitics - Religion - Propaganda - France\u003c\/p\u003e\n\u003cp\u003eLet's beware of these pans and these liars!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Little patriot in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"T. D.","offers":[{"title":"78 x 57 \/ A  \/ On Linen","offer_id":51053816512839,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04811Insta2.jpg?v=1739483465"},{"product_id":"ap_04812","title":"L'écumoire et la casserole Circa 1908","description":"\u003cp data-start=\"72\" data-end=\"475\"\u003eThis circa 1908 political poster, illustrated by E. Millo, titled \"L’Écumoire et la Casserole\", is a powerful example of French political satire in the early 20th century. Published by \u003cem data-start=\"273\" data-end=\"292\"\u003eLe Petit Patriote\u003c\/em\u003e, the poster uses bold typography, caricature, and critical financial data to engage and persuade the electorate about the alleged fiscal mismanagement of the French government.\u003c\/p\u003e\n\u003cp data-start=\"477\" data-end=\"1233\"\u003eThe illustration is a striking political allegory. A woman representing the Republic, wearing a Phrygian cap (symbol of the French Revolution and liberty), is shown using a skimmer (\"écumoire\") to scoop up government funds. However, like a skimmer used in cooking, the money falls through the holes, symbolizing inefficiency, corruption, and waste. Below, a panicked man, possibly symbolizing a government official or taxpayer, desperately tries to salvage the lost funds, standing next to a crate labeled \"Déficit\" (Deficit). The composition is designed to make a bold, immediate impact, with dramatic contrasts, expressive gestures, and exaggerated expressions—a hallmark of political caricature at the time.\u003c\/p\u003e\n\u003cp data-start=\"1235\" data-end=\"1811\"\u003eThe text accompanying the illustration presents damning financial figures, exposing alleged fiscal irresponsibility. Details of public debt, increasing deficits, and uncontrolled government spending are prominently displayed. The phrase \"Course à la faillite\" (\"Race to Bankruptcy\") suggests an imminent financial collapse, urging taxpayers and voters to take action. The appeal to \"Électeurs, lisez!\" (\"Voters, read!\") reflects the democratic urgency of the message, reinforcing the idea that citizens should stay informed and demand accountability.\u003c\/p\u003e\n\u003cp data-start=\"1813\" data-end=\"2514\"\u003eAt the time, France was navigating the challenges of the Third Republic (1870–1940), a period marked by economic fluctuations and concerns over public debt. Political instability, with frequent government changes and debates over financial policies, created a tense atmosphere. The rise of mass political engagement meant that newspapers and posters played a crucial role in shaping public opinion. This poster, likely produced in the run-up to an election, serves as propaganda, urging voters to support a more fiscally responsible administration. The clear, provocative language and compelling visual metaphors made it an effective tool for mobilizing public sentiment.\u003c\/p\u003e\n\u003cp data-start=\"2516\" data-end=\"3141\"\u003eAs an original early 20th-century political poster, \"L’Écumoire et la Casserole\" is a valuable piece of historical ephemera. It not only reflects the concerns of its time but also highlights the enduring power of political cartoons and satirical illustration as a means of holding governments accountable. For collectors of vintage political propaganda, historical posters, and satirical artwork, this piece represents an era where graphic design and political discourse were intricately intertwined—a reminder that history often repeats itself in the realm of public finance and governance.\u003c\/p\u003e\n\u003cp\u003ePolitics - Economy - Propaganda - France\u003c\/p\u003e\n\u003cp\u003eRace to bankruptcy - The little Patriot\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Little Patriot in Auxerre\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Millo E.","offers":[{"title":"78 x 58 \/ A  \/ On Linen","offer_id":51053816676679,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04812Insta2.jpg?v=1742211535"},{"product_id":"ap_05609","title":"Espace culturel du carré d'or 1992","description":"\u003cp\u003eOriginal poster\u003c\/p\u003e\n\u003cp\u003eExhibition - 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Rich in color and movement, it reflects both the spirit of the film and the artistic world of Henri de Toulouse-Lautrec, whose life and work inspired the story.\u003c\/p\u003e\n\u003cp data-start=\"466\" data-end=\"937\"\u003eDominating the composition, a cancan dancer bursts into motion, her swirling white petticoats and lifted leg creating a dynamic sense of rhythm and theatrical flair. Her figure, both elegant and exuberant, embodies the lively atmosphere of the Moulin Rouge, where performance, seduction, and artistry intertwine. Around her, smaller vignettes depict scenes of nightlife—couples dancing, performers on stage, and glimpses of Montmartre—adding narrative depth to the image.\u003c\/p\u003e\n\u003cp data-start=\"939\" data-end=\"1284\"\u003eThe poster’s painterly style is richly expressive, with soft gradients and bold contrasts that echo the Technicolor cinematography of the film. The use of reds, whites, and warm tones evokes both the interior glow of cabaret lights and the passion of performance, while the flowing forms create a sense of continuous movement across the surface.\u003c\/p\u003e\n\u003cp data-start=\"1286\" data-end=\"1616\"\u003eTypography plays a central role in anchoring the composition. The title \u003cem data-start=\"1358\" data-end=\"1372\"\u003eMoulin Rouge\u003c\/em\u003e, rendered in ornate, decorative lettering, commands attention and reinforces the theatrical identity of the film. Additional credits are arranged harmoniously around the image, maintaining balance without distracting from the visual spectacle.\u003c\/p\u003e\n\u003cp data-start=\"1618\" data-end=\"1886\"\u003eJohn Huston’s film, centered on Toulouse-Lautrec, explores themes of art, desire, and outsider identity. This poster reflects those themes through its blend of glamour and emotional intensity—celebrating performance while hinting at the deeper human stories behind it.\u003c\/p\u003e\n\u003cp data-start=\"1888\" data-end=\"2160\"\u003eProduced during the golden age of illustrated film posters, this work exemplifies a time when cinema advertising was itself a form of art. Rather than relying on photography alone, it uses composition, color, and storytelling to draw the viewer into the world of the film.\u003c\/p\u003e\n\u003cp data-start=\"2162\" data-end=\"2382\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eToday, this \u003cem data-start=\"2174\" data-end=\"2188\"\u003eMoulin Rouge\u003c\/em\u003e poster remains an iconic representation of both 1950s cinema and the enduring allure of Parisian nightlife—where art, movement, and imagination come together in a vivid and unforgettable image.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eCinema - Cabaret - Paris - Eiffel Tower - Notre Dame - Maxim's\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by Richier Laugier in Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, creases\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"160 x 120 \/ A-","offer_id":53552883499335,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06044Insta2.jpg?v=1774857462"},{"product_id":"ap_06045","title":"La route de Corinthe 1967","description":"\u003cp data-start=\"98\" data-end=\"319\"\u003eThis original 1967 poster for \u003cem data-start=\"128\" data-end=\"150\"\u003eLa Route de Corinthe\u003c\/em\u003e, directed by Claude Chabrol, is a striking example of French New Wave-era film promotion, combining bold graphic design with a fragmented, narrative-driven composition.\u003c\/p\u003e\n\u003cp data-start=\"321\" data-end=\"672\"\u003eThe poster is structured around a dynamic collage of imagery that immediately evokes tension and intrigue. At its center, an oversized gloved hand delicately holds a red carnation—an image that contrasts elegance with underlying menace. This surreal focal point introduces a sense of mystery, suggesting coded signals, hidden intentions, or espionage.\u003c\/p\u003e\n\u003cp data-start=\"674\" data-end=\"1064\"\u003eSurrounding this central motif, a series of cinematic vignettes unfolds. Jean Seberg and Maurice Ronet appear against the backdrop of ancient Greek ruins, their expressions serious and introspective, hinting at danger and emotional complexity. Nearby, scenes of confrontation and armed figures reinforce the thriller aspect of the film, blending romance, suspense, and political undertones.\u003c\/p\u003e\n\u003cp data-start=\"1066\" data-end=\"1450\"\u003eThe use of typography is particularly bold and modern. The title \u003cem data-start=\"1131\" data-end=\"1153\"\u003eLa Route de Corinthe\u003c\/em\u003e is set diagonally across the upper portion in vivid, contrasting colors, creating a strong visual impact that immediately captures attention. This typographic treatment reflects the graphic experimentation of the 1960s, aligning with the evolving language of cinema and design during that decade.\u003c\/p\u003e\n\u003cp data-start=\"1452\" data-end=\"1816\"\u003eColor plays a crucial role in the composition. The juxtaposition of warm tones—reds and pinks—with cooler blues and neutral backgrounds creates visual tension, mirroring the film’s atmosphere of uncertainty and suspense. The Mediterranean setting is subtly suggested through light and architectural elements, grounding the story in a real yet stylized environment.\u003c\/p\u003e\n\u003cp data-start=\"1818\" data-end=\"2063\"\u003eAs with many posters of the period, the design does not simply illustrate the plot but conveys mood and genre. It invites the viewer into a world of intrigue, where beauty and danger coexist, and where narrative fragments hint at a deeper story.\u003c\/p\u003e\n\u003cp data-start=\"2065\" data-end=\"2290\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eToday, this poster stands as a compelling artifact of 1960s European cinema—where graphic innovation, star power, and psychological storytelling converge to create a visually arresting and evocative piece of film advertising.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eCinema - Greece - Literature\u003c\/p\u003e\n\u003cp\u003eBased on the novel by Claude Rank\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by St Martin in Paris\u003c\/p\u003e\n\u003cp\u003eGood condition, creases\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"160 x 120 \/ A-","offer_id":53552882155847,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06045Insta2.jpg?v=1774857841"},{"product_id":"ap_06052","title":"Cram's political map of Asia 1937","description":"\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eMap - Politics - Asia\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePrinted by George F. Cram in Indianapolis\u003c\/p\u003e\n\u003cp\u003eGood condition, creases, small tears in the creases\u003c\/p\u003e","brand":"Galerie 1881","offers":[{"title":"130 x 130 \/ B+","offer_id":53552853320007,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06052_4445079f-c637-4095-b7f9-d1f8a9830b67.jpg?v=1774109776"},{"product_id":"ap_06133","title":"Bacchanale au hibou 1959","description":"\u003cp data-start=\"93\" data-end=\"474\"\u003eThis 1959 linogravure by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePablo Picasso\u003c\/span\u003e\u003c\/span\u003e, titled \u003cem data-start=\"164\" data-end=\"185\"\u003eBacchanale au hibou\u003c\/em\u003e, is a powerful example of the artist’s late exploration of printmaking, combining classical themes with bold modernist abstraction. Published by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCercle d'Art\u003c\/span\u003e\u003c\/span\u003e in Paris, this work (Plate 35) reflects Picasso’s mastery of line, rhythm, and mythological storytelling.\u003c\/p\u003e\n\u003cp data-start=\"476\" data-end=\"907\"\u003eThe composition is dense and dynamic, filled with intertwined figures that evoke the spirit of a bacchanal—an ancient celebration associated with revelry, sensuality, and the god Dionysus. Reclining and contorted bodies occupy the foreground, rendered in a fluid yet fragmented style. Their forms are simplified into sweeping curves and angular segments, creating a sense of movement and vitality despite the monochromatic palette.\u003c\/p\u003e\n\u003cp data-start=\"909\" data-end=\"1335\"\u003eAt the upper left, an owl—one of Picasso’s recurring symbolic motifs—perches calmly, observing the scene. The presence of the owl introduces a layer of ambiguity: traditionally associated with wisdom and night, it contrasts with the earthly pleasures and chaotic energy of the bacchanalian figures below. This juxtaposition between instinct and intellect, celebration and observation, is characteristic of Picasso’s late work.\u003c\/p\u003e\n\u003cp data-start=\"1337\" data-end=\"1728\"\u003eExecuted as a linocut, the piece emphasizes strong, incised lines and contrasts between black and white. Picasso was particularly innovative in this medium during the late 1950s, often pushing the technique beyond its conventional limits.\u003c\/p\u003e\n\u003cp data-start=\"1730\" data-end=\"2039\"\u003eRather than adhering to classical harmony, Picasso disrupts spatial logic. Figures overlap and merge into one another, and perspective is flattened. This deliberate distortion enhances the emotional intensity of the scene, transforming a traditional bacchanal into something more psychological and expressive.\u003c\/p\u003e\n\u003cp data-start=\"2041\" data-end=\"2319\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"2041\" data-end=\"2062\"\u003eBacchanale au hibou\u003c\/em\u003e stands as a testament to Picasso’s relentless reinvention. Even in his later years, he continued to reinterpret ancient themes through a radically modern lens, using printmaking not merely as reproduction, but as a space for experimentation and innovation.\u003c\/p\u003e\n\u003cp\u003eLinocut\u003c\/p\u003e\n\u003cp\u003eAbstract - Alcohol - Erotic\u003c\/p\u003e\n\u003cp\u003ePl. 35 - \u003cmeta charset=\"utf-8\"\u003eEditions Cercle d'Art à Paris\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Picasso Pablo","offers":[{"title":"32 x 38 \/ A","offer_id":53552853713223,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_06133Insta2.jpg?v=1774858681"}],"url":"https:\/\/galerie1881.fr\/en\/collections\/between-500-1000.oembed?page=58","provider":"Galerie 1881","version":"1.0","type":"link"}