{"title":"Deineka Aleskandr","description":null,"products":[{"product_id":"ap_21984","title":"Victory for our most orthodox emperor ! Circa 1920","description":"\u003cp\u003eThe circa 1914 poster by Aleksandr Deineka titled \u003cem\u003eVictory for Our Most Orthodox Emperor!\u003c\/em\u003e reflects the spirit of Imperial Russia during the First World War. While primarily known for his later works under the Soviet regime, this earlier work by Deineka captures a moment of reverence and patriotism from the late Tsarist period.\u003c\/p\u003e\n\u003cp\u003eThe poster, marked by its evocative message and artistic composition, commemorates the era of Emperor Nicholas II, portraying a religious and ceremonial gathering. The text translates to, \"Save, O Lord, Your people... Victory to our pious Emperor!\"—a rallying cry that intertwines faith with the monarchy. This reflects the deeply ingrained relationship between the Russian Orthodox Church and the Romanov dynasty during the pre-revolutionary era.\u003c\/p\u003e\n\u003cp\u003eThis work captures a pivotal moment as Russia entered the tumult of the First World War. The poster embodies the duality of religious devotion and national pride, calling upon divine intervention for the success of the Tsar and his forces. By doing so, it sought to inspire unity and perseverance among the Russian people during a period of immense challenge and upheaval.\u003c\/p\u003e\n\u003cp\u003eThe artistic elements of the poster, characteristic of the early 20th century, echo the propagandistic style that blends narrative and symbolism. By focusing on a moment of religious solemnity and collective observance, Deineka elevates the Tsar's leadership to a divine mandate, a crucial element in garnering support for the war effort.\u003c\/p\u003e\n\u003cp\u003eIn historical context, the poster serves as a poignant artifact of the Russian Empire’s final years. The reverence for Nicholas II expressed here would later stand in stark contrast to the revolutionary upheaval that dismantled the monarchy just a few years later. For modern viewers, it offers a glimpse into the sentiments of loyalty, faith, and national identity that defined Russia before the seismic shifts of the 1917 Revolution.\u003c\/p\u003e\n\u003cp\u003eAleksandr Deineka, whose later works became synonymous with Soviet modernism, here demonstrates his ability to adapt his artistic vision to the prevailing cultural and political climate. This poster not only captures a historical moment but also reflects the propagandistic power of art to evoke emotion and allegiance in the face of national trials.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eReligion - Propaganda - USSR\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Deineka Aleskandr","offers":[{"title":"33 x 27 \/ A  \/ On Linen","offer_id":50000634577223,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_21984Insta2.jpg?v=1733931831"},{"product_id":"ap_21985","title":"Pas de prolétaires royaux Circa 1920","description":"\u003cp\u003eThe circa 1920 poster by Aleksandr Deineka exemplifies his distinctive approach to Soviet visual art during the early years of the Soviet Union. Known for his versatility and ability to convey powerful social and political messages, Deineka's works often highlighted the transformative impact of the socialist system on various aspects of life, including education, community, and equality.\u003c\/p\u003e\n\u003cp\u003eThis particular piece centers on the theme of children's welfare and education, a cornerstone of Soviet propaganda in the 1920s. By focusing on children engaged in outdoor activities and learning, Deineka underscores the Soviet state's commitment to nurturing the younger generation, portraying a new society where every child has access to opportunities for growth and development. The emphasis on a group dynamic reflects the collectivist ideals central to Soviet ideology.\u003c\/p\u003e\n\u003cp\u003eThe text on the poster reads: \"Hey, take a look at my collar. Not nice—French!\" This phrase conveys an ideological critique of foreign (French) influence, aligning with the Soviet Union's focus on self-sufficiency and national pride during its formative years. It underscores a rejection of bourgeois or Western styles, instead promoting the adoption of Soviet ideals, aesthetics, and values.\u003c\/p\u003e\n\u003cp\u003eThe poster's underlying message resonates with the broader Bolshevik narrative of progress, unity, and the rejection of pre-revolutionary inequality. It positions the Soviet Union as a beacon of enlightenment and care, using the innocence and promise of children as a symbol for the nation’s future.\u003c\/p\u003e\n\u003cp\u003eAleksandr Deineka, renowned for his later monumental works in the fields of painting and graphic design, consistently used his art to explore themes of industrialization, social change, and human aspiration. This early work demonstrates his skill in combining simplicity with evocative storytelling, capturing a pivotal moment in Soviet history where the new regime sought to redefine society through education and collective effort.\u003c\/p\u003e\n\u003cp\u003eAs a historical artifact, the poster offers modern audiences a glimpse into the priorities and aspirations of the Soviet state in its formative years. It stands as a testament to the role of art in shaping and disseminating political and cultural ideals.\u003c\/p\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eChilhood - Propaganda - USSR\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Deineka Aleskandr","offers":[{"title":"35 x 27 \/ A  \/ On Linen","offer_id":50000634708295,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_21985Insta2.jpg?v=1733933539"}],"url":"https:\/\/galerie1881.fr\/en\/collections\/deineka-aleskandr.oembed","provider":"Galerie 1881","version":"1.0","type":"link"}