{"title":"Pavil Julien","description":null,"products":[{"product_id":"ap_04713","title":"Le bal paien - Salle Bullier 1926","description":"\u003cp\u003eProgram\u003c\/p\u003e\n\u003cp\u003eDance - Show\u003c\/p\u003e\n\u003cp\u003eNational School of Fine Arts - M. Pigné\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Pavil Julien","offers":[{"title":"18 x 21 \/ A","offer_id":51213481312583,"sku":null,"price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_04713_8eb0b33d-8255-4efe-b7e7-adc1a67ffb87.jpg?v=1744388020"},{"product_id":"ap_17999-1er-bal-paien-organise-au-profit-de-la-grande-masse-de-lecole-nationale-des-beaux-arts-1925-pavil-m-drawing-gouache-original-vintage-poster-affiche-ancienne-originale","title":"Maquette du 1er Bal Païen - Organisé au profit de la grande masse de l'école nationale des beaux-arts 1925","description":"\u003cp\u003eGouache - Original model to create the poster\u003c\/p\u003e\n\u003cp\u003eShow - Dance\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"masse\" has always existed in the studios of the École des Beaux-Arts: first and foremost, it's the budget needed to keep the studio going. It is derived from student subscriptions (hence the expression \"payer sa masse\"). By extension, \"la masse\" refers to the board of directors present in each atelier, whose mission is to manage its interests and finances. It is represented by the \"massier\" or \"massière\", elected by the students and approved by the workshop manager (who may also be called \"Patron\" or \"Master\").\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs early as the end of the 19th century, there is evidence of the existence of the Grande Masse. At the time, its main concern was to ensure liaison between the workshops for the organization of the famous \"Bal des Quat'Z'Arts1\". In 1892, when the latter was created, an organized body already existed. It's reasonable to think that in more distant times, we can find traces of free groups that first brought together architects, and were joined by students from other sections of the École des Beaux-Arts (painting, sculpture, engraving).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe mission and objective of this new Grande Masse is to:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"to create and maintain a bond of solidarity between all students and former students of the Ecole Nationale Supérieure des Beaux-Arts, to found and develop all organizations likely to improve the situation of its members. \"\u003cbr\u003eThe return from the First World War and the difficulties of everyday life reinforced the corporate spirit. The idea of legally grouping all the students of the École became fixed in the minds of a few. \u003cbr\u003eAnd so, on April 6 and 7, 1925, in the cellar of the \"Rocher\", then a famous café on the Boulevard Saint-Germain in Paris, several comrades came together to designate the Grand Massiers of the four sections of the École (painting, sculpture, engraving, architecture) and the Grand Massier of the École. \u003cbr\u003e\u003cbr\u003eRaymond Müller (1893-1982 \/ atelier officiel d'architecture Paulin puis Pierre André) is the first Grand Massier, founder and president of the association. The Grande Masse board includes: Louis Allix, Grand Massier des architectes (1894 - 1964 \/ atelier libre d'architecture Godefroy), Francis Harburger, Grand Massier des peintres (1905 - 1998 \/ atelier officiel de peinture Simon) and Paul Belmondo, Grand Massier des sculpteurs (1898 - 1982 \/ atelier officiel de sculpture Boucher).\u003cbr\u003e\u003cbr\u003eOn January 12, 1926, when the association's articles of association were filed, the group became a legal entity. Its head office was located at 51 rue de Seine in Paris (6th arrondissement).\u003cbr\u003e\u003cbr\u003eThe Grande Masse's only capital was four hundred francs, raised from the sale of a typewriter bequeathed by the former masse.\u003cbr\u003eTo round off this capital, the Grand Massier thought of organizing a ball: the Bal Païen. It took place in the Salle Bullier on January 29, 1926, under the patronage of the artistic journal COMŒDIA. It was such a success that the following day, the Grande Masse was in possession of an estimated twenty thousand francs. Moreover, thanks to tireless propaganda, the coffers filled up and memberships came in; the circle of indifference that had surrounded the Grande Masse in its early days faded away.\u003c\/p\u003e\n\u003cp\u003eFolds, tears\u003cbr\u003e\u003c\/p\u003e","brand":"Pavil Julien","offers":[{"title":"118 x 80 \/ B  \/ On Linen","offer_id":46758391578951,"sku":null,"price":3500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_17999Insta2.jpg?v=1692195436"},{"product_id":"ap_17998-1er-bal-paien-organise-au-profit-de-la-grande-masse-de-lecole-nationale-des-beaux-arts-1925-pavil-m-original-poster-affiche-originale","title":"1er Bal Païen - Organisé au profit de la grande masse de l'école nationale des beaux-arts 1925","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBeautiful poster from 1925 for the 1st Bal Païen organized for the benefit of the great mass of the École Nationale des Beaux-Arts,\u003cbr\u003e\u003cbr\u003eThe masse has always existed in the studios of the École des Beaux-Arts: first and foremost, it's the budget needed to run the studio. It comes from student subscriptions (hence the expression \"payer sa masse\"). By extension, the masse refers to the board of directors present in each studio, whose mission is to manage its interests and finances.\u003cbr\u003e\u003cbr\u003eThe existence of the Grande Masse is attested as early as the end of the 19th century. At the time, its main concern was to ensure liaison between the workshops for the organization of the famous \"Bal des Quat'Z'Arts\". By 1892, when the latter was created, an organized corps already existed. It's reasonable to assume that, in earlier times, we can trace the existence of free groups that initially brought together architects, joined by students from other sections of the École des Beaux-Arts (painting, sculpture, engraving).\u003cbr\u003e\u003cbr\u003eThe mission and objective of this new Grande Masse is to:\u003cbr\u003e\u003cbr\u003e\"create and maintain a bond of solidarity between all students and former students of the École Nationale Supérieure des Beaux-Arts, found and develop all organizations likely to improve the situation of its members. \"\u003cbr\u003eThe return of the First World War and the difficulties of everyday life reinforced the corporate spirit. The idea of legally grouping together all the students at the school took root in the minds of a few.\u003cbr\u003eAnd so, on April 6 and 7, 1925, in the cellar of the \"Rocher\", then a famous café on the Boulevard Saint-Germain in Paris, several comrades met to designate the Grand Massiers of the four sections of the École (painting, sculpture, engraving, architecture) and the Grand Massier of the École.\u003cbr\u003e\u003cbr\u003eRaymond Müller (1893-1982 \/ atelier officiel d'architecture Paulin puis Pierre André) was the first Grand Massier, founder and president of the association. The Grande Masse board included Louis Allix, Grand Massier des architectes (1894 - 1964 \/ atelier libre d'architecture Godefroy), Francis Harburger, Grand Massier des peintres (1905 - 1998 \/ atelier officiel de peinture Simon) and Paul Belmondo, Grand Massier des sculpteurs (1898 - 1982 \/ atelier officiel de sculpture Boucher).\u003cbr\u003e\u003cbr\u003eOn January 12, 1926, when the association's articles of association were filed, the group became a legal entity. Its head office was located at 51 rue de Seine in Paris (6th arrondissement).\u003cbr\u003e\u003cbr\u003eLa Grande Masse's only capital was four hundred francs, raised from the sale of a typewriter bequeathed by the former masse.\u003cbr\u003eTo supplement this capital, the Grand Massier thought of organizing a ball: the Bal Païen. It was held at the Salle Bullier on January 29, 1926, under the patronage of the artistic magazine COMŒDIA. Such was its success that the following day, the Grande Masse was in possession of an estimated twenty thousand francs. What's more, thanks to tireless propaganda, the coffers filled up and memberships poured in; the circle of indifference that had surrounded the Grande Masse in its early days faded away.\u003cbr\u003e\u003cbr\u003eGood condition, traces of folds, slight dirt\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e* The shadow on the top is due to the picture, it doesn't appear on the poster.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Pavil Julien","offers":[{"title":"118 x 80 \/ A-  \/ On Linen","offer_id":46758392561991,"sku":null,"price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_17998Insta2.jpg?v=1686042962"}],"url":"https:\/\/galerie1881.fr\/en\/collections\/pavil-julien\/france.oembed","provider":"Galerie 1881","version":"1.0","type":"link"}