{"product_id":"ap_24157","title":"Femme cubaine - Cuba Oui ! Circa 1960","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69494d56-eed8-832e-864c-ca1e318679ea-9\" data-testid=\"conversation-turn-388\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"54c35c71-6599-4db9-ac8b-6c8710391874\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"122\" data-end=\"520\"\u003eThis powerful poster from around 1960 was created by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eVictor Koretsky\u003c\/span\u003e\u003c\/span\u003e, one of the most influential designers of Soviet propaganda graphics. The image celebrates solidarity with \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCuba\u003c\/span\u003e\u003c\/span\u003e in the early years following the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCuban Revolution\u003c\/span\u003e\u003c\/span\u003e, a political transformation that resonated strongly within the socialist world.\u003c\/p\u003e\n\u003cp data-start=\"522\" data-end=\"947\"\u003eAt the center of the composition is a monumental portrait of a young Cuban woman. Her expression is resolute and forward-looking, embodying determination and revolutionary optimism. She wears a headscarf patterned with the blue, white, and red colors of the Cuban flag, with the iconic star prominently displayed. This symbolic garment visually connects the individual figure to the identity and struggle of the Cuban nation.\u003c\/p\u003e\n\u003cp data-start=\"949\" data-end=\"1401\"\u003eBehind her, a forest of raised rifles forms a dramatic backdrop, suggesting a mass movement united in armed defense of the revolution. The arrangement creates a powerful contrast between the calm strength of the central figure and the collective energy of the crowd behind her. Koretsky frequently used this technique—combining a heroic individual with symbolic elements of the masses—to express themes of unity, struggle, and political transformation.\u003c\/p\u003e\n\u003cp data-start=\"1403\" data-end=\"1737\"\u003eThe caption at the bottom of the poster appears in Russian: “Куба — да!” (Kuba — da!), which translates directly to “Cuba — Yes!” or “Yes to Cuba!”. This slogan expressed Soviet support for the revolutionary government that emerged in Cuba after 1959 and reflects the broader geopolitical alignment of the Cold War period.\u003c\/p\u003e\n\u003cp data-start=\"2011\" data-end=\"2309\"\u003eVictor Koretsky was known for his emotionally powerful visual language and his ability to translate political ideology into striking graphic form. His posters often employed dramatic lighting, monumental figures, and symbolic color to create images that were both persuasive and visually memorable.\u003c\/p\u003e\n\u003cp data-start=\"2311\" data-end=\"2557\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eToday, posters like this one stand as vivid examples of Cold War visual culture. They illustrate how graphic design was used to express international political solidarity while also celebrating revolutionary identity and collective determination.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003eOriginal Poster\u003c\/p\u003e\n\u003cp\u003eWar - USSR - Propaganda - Russia\u003c\/p\u003e\n\u003cp\u003ePlate No. 12\u003c\/p\u003e\n\u003cp\u003eGood condition\u003c\/p\u003e","brand":"Koretsky Victor","offers":[{"title":"51 x 41 \/ A  \/ On Linen","offer_id":53279478481223,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0564\/9275\/3081\/files\/AP_24157Insta2.jpg?v=1772721531","url":"https:\/\/galerie1881.fr\/en\/products\/ap_24157","provider":"Galerie 1881","version":"1.0","type":"link"}